I don’t think I’ll be reading any more in the A Song of Ice and Fire series by GRR Martin, at least not for a while. The first book was okay, the second did a fairly good job in making me want to read the third, but this third… I’m having trouble stomaching it. Strangely, though, it’s not because of the usual complaints.
It’s just that Martin depicts a “norm” for his world, or a “default” regarding culture and roles in his books, but doesn’t do a very good job deviating from it when depicting things from different cultures or different worldviews. Westeros is the default society, and everything else seems to follow its lead without much variation, if any at all.
Take, for example, the various clans north of the wall. There are only minor details that deviate from Westeros and its way of doing things, when life beyond the wall should deviate wildly (pun not intended) just by virtue of the fact that they have a major landmark separating the two for several thousand years. From the small, insignificant tidbits of information we get from the narrative about the wildlings and their way of life, they live in villages (some are called cave-people, though it’s not clear if they actually LIVE in caves), practice animal husbandry and agriculture (the latter puts up a pretty big question mark in my head), have very similar relations between men and women (why Jon Snow is so confused by women being “stolen” as opposed to “given away” is beyond me, since the objectification is the same), they speak the EXACT same language, and they all unite behind a guy who they call a king (ooh, so they don’t KNEEL to him? Big difference there).
I mean, when there is an all but IMPENETRABLE wall between two populations for as long as it says in this series, I should think that the differences between their cultures should be more than superficial.
Then there’s the exaggeration on the slave trader society. In this example, Martin has only emphasized details in this society that would make it absolutely repugnant to the reader. They create super soldiers by torturing them mercilessly and having them kill puppies and babies since age five (neither of which seems to have the psychological effects it would actually have on these people in a realistic sense. Also, supposedly only very few of these “Unsullied” actually make it through their training without dying or being killed by the slavers, so since the training stretches all the way to adulthood, it seems to me that this process would be a very bad investment with a very LOW return.), they put boys in bear pits and bet on which one of them will be eaten first, and they eat dog fetuses apparently (note how this is not just a cultural quirk, but is framed in a negative context to pull at the reader’s heartstrings and get them to hate them even more). Not to mention, the slaver, when he believes that Danaerys cannot understand him, is very rude and abusive in his language toward her and his translator.
Now, for someone who is praised as a much as Martin is for his in-depth world building, I would have expected this sort of thing to be more… subtle. It was so blatant that he was trying to make his readers despise this society as a whole so they would approve of Danaerys slaughtering whole cities to free slaves, and STILL think of her as essentially good. There was LITERALLY nothing good or even neutral about the customs of these cities so that there would be no ambiguous zone where you could want certain traditions or parts of the culture to be salvaged. They were the evilest evil that ever eviled and needed to be wiped out by Danaerys and her dragons.
This was so very different from other instances in the story where good and evil are blurred or nonexistent that I am doubtful that GRR Martin was incapable of writing this other culture more nuanced (after all, even the Dothraki were presented in a less biased and hateful way than this). It was just obvious that he needed there to be no doubt that you should side with Danaerys on this front, which was disappointing, to say the least.
Even small deviations within his own default society he has trouble depicting with any sort of fairness, though. He sacrifices an obvious payoff to an even more obvious setup in one of his chapters, for reasons I’m still unsure about. When Jaime goes back to Harrenhall to rescue Brienne, it was stated in the beginning of the chapter that he has a sword and dagger on him, though he can’t use them because of his severed hand. But when he drops down into the bear pit to put himself between Brienne and the bear, ever so gallantly, the sword isn’t noticed by Brienne. It is clear from previous scenes that she knows how to use a sword, and could have taken it to slay the bear herself, but for some reason, she is utterly helpless in this scene.
If she had taken that sword, the scene would have been more meaningful. It would have reinforced the idea that she IS a warrior, that she IS a capable knight, and that she and Jaime have a relationship that is much less stereotypical. Instead, I’m led to believe with this scene that even when a woman is capable of taking control of a situation (even when it’s assisted, in this case), she can’t when a man is around to save her. Thanks for undercutting Brienne’s entire character with one scene, Martin. You really had me going there, thinking you could write a character like Brienne fairly.
All in all, I have to say I was disappointed with this book. It was too on-the-nose with its comparisons and contrasts to the norm he’d set up, and it lacked the nuance that would have made it a much more enjoyable installment. I’m kind of afraid to read on to the fourth book, because I hear it’s half a backtrack to cover stuff that couldn’t be covered in number three, and the other half stuff that others have had a hard time caring about. I may read it eventually, but for now, I can’t make the effort it would take to get over the disappointment A Storm of Swords was.